by Eli Namay
In the last installment of Imploding Signs, Eli shares his zine "On Cultural Struggle: Artistic Militance and the Abolition of Value" to break down how his analysis of symbolic violence functions influence his artistic practices.
by Max Erwin
Max Erwin engages with and responds to Owen Davis' new music development diagram. "The problem with personal goals is that they risk becoming more than personal."
by Owen Davis
There is this quote that I found recently, I tweeted it, but I do not know the author, “…finding ways to find out things that I didn’t know.”
by Mark Mahoney
Mark Mahoney engages with the second annual Civic Orchestra Composers Project.
by Luis Fernando Amaya
Luis Fernando Amaya discusses his intentions behind the use of the screen in Tinta Roja, Tinta Negra / Red Ink, Black Ink.
A monthly column about the future, and you.
by Lily Mooney
Can a review be a letter to one's mother? We think so. The Neo-Futurists' Lily Mooney writes to her mom about a pe ri od ic's performance of Tim Parkinson's "Time With People."
by Ellen McSweeney
Reflections on the purpose of concert reviews and the role of music criticism.