by Luis Fernando Amaya
Luis Fernando Amaya discusses his intentions behind the use of the screen in Tinta Roja, Tinta Negra / Red Ink, Black Ink.
A monthly column about the future, and you.
by Eli Namay
by Ellen McSweeney
Reflections on the purpose of concert reviews and the role of music criticism.
A submitted review of FREQUENCY FESTIVAL 2017: Quince + Olivia Block.
FREQUENCY FESTIVAL 2017: Mocrep @ MCA
photos by Deidre Huckabay
I don’t have a lot of things to say about the show itself. However, I was puzzled with the Q&A session afterwards. How can one hope to ask a genuine question when it is clear that the participants of the session do not treat the occasion seriously?… Read More...
An assessment of political art by its in/ability to embrace the collective experience.
…por el Yasuní… and why not …for Standing Rock…?
by Pablo Santiago Chin
Art’s Ivory Tower?
The creative impulse is as natural to humans as our instinct for survival. Even the history that traces mankind’s creativity became a creative substance.… Read More...