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Panoptic Prism, Michael Foster / Weasel Walter, Dave Rempis
March 16 @ 9:00 pm - 11:59 pm
Cafe Mustache presents a night of improvised music with…
Carol Genetti is a Chicago-based vocalist and composer whose work extends to sound and visual art media. Her palette is primordial, existing in a hypothetical space where “language” and “music” have yet to be formed and formulated into familiar cultural patterns. Genetti’s aesthetic is one of raw power, yet also delicate, subtle, and precise. An exquisite soloist, she is often also heard in the company of other improvising musicians. She has been performing in North America and Europe, mostly as a vocal improviser, mostly in collaborations with other musicians, including Jack Wright, Eric Leonardson, Peter Maunu, Olivia Block, Andrew Clinkman, Albert Wildeman, Aaron Zarzutzki, Asimina Chremos, James Falzone, Jeff Kimmel, Steven Dorocke, Jim Dorling and Jim Baker. You can listen to some of her recent work at soundcloud.com/user-813430280. (description from Constellation)
MICHAEL FOSTER/WEASEL WALTER (duo)
Michael Foster is a saxophonist and multi-instrumentalist working in the fields of free improvisation, noise, free jazz, graphic & video notation, performance art, and other forms of weird music. Foster utilizes extensive preparations of his saxophone, augmenting it with amplification, objects, balloons, drum heads, vibrators, tapes, and samples as a method of subverting and queering the instrument’s history and traditional roles. (description from Jazz Right Now)
Weasel Walter is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with late jazz cult figure Hal Russell. Over the years, that band has included noted Chicago musicians such as Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Dylan Posa, while creating an uncompromising and mercurial body of abstract music drawing equally from no wave, death metal, free jazz, gamelan, noise music, hardcore punk and modern classical. Walter moved to the San Francisco Bay Area in 2003, where he formed the latest of many Luttenbachers lineups, remaining on percussion with the addition of bassist Mike Green (Burmese), and virtuoso guitarist Ed Rodriguez (ex-Colossamite, Gorge Trio). Singular guitar phenomenon Mick Barr (Octis, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. In addition to leading various free jazz ensembles under his own name, currently he is a member of Burmese. On November 25, 2009, Weasel Walter announced that he was moving to New York City to join the band Behold… The Arctopus on drums and will be writing “new, more extreme material from scratch.”
DAVE REMPIS (solo)
Saxophonist, improviser, and composer Dave Rempis has been an integral part of the thriving Chicago jazz and improvised music scene since 1997. With a background in ethnomusicology and African studies at Northwestern University, including a year spent at the University of Ghana, Rempis burst onto the creative music scene at the age of 22 when he was asked to join the now-legendary Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe, an active schedule that he still maintains to the present day. At the same time, Rempis began to develop the many Chicago-based groups for which he’s currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, Triage, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Other collaborations have included work with Paul Lytton, Fred Anderson, Peter Brötzmann, Hamid Drake, Tomeka Reid, Steve Swell, Elisabeth Harnik, John Tchicai, Roscoe Mitchell, Nate Wooley, Kevin Drumm, Paal Nilssen-Love, Nels Cline, and Joe McPhee. In 2013, he started his own record label, Aerophonic Records, to document this ongoing work. Rempis has been named regularly since 2006 in the annual Downbeat Critics’s Poll as a “rising star” on both alto and baritone saxophone, a category that he won in 2017. He was also the recipient of a Ragdale Fellowship from the Herb Alpert Foundation in 2017, as well as an Individual Artists Program grant from the City of Chicago for his solo project “Lattice.”
Rempis’ musical expression draws on a number of touchstones. While heavily improvisational in nature, his Greek ethnicity, studies in jazz and ethnomusicology, an appreciation for the philosophical underpinnings of contemporary composition, and a love for unforgivingly strident yelps, screeches, and squeals that can encompass the ever-evolving state of human depravity all inform his work.